By Bill Staples, Jr.
Before MLB integration, Japanese American (Nikkei) ballplayers faced discrimination on and off the field. They also played against and defeated Negro League teams. Despite these parallels, the legacy of Japanese American baseball still lacks the recognition and respect it deserves.
Sharon Robinson, the daughter of baseball pioneer
Jackie Robinson, once said, “There are numerous parallels between my father’s story
and that of Japanese Americans.” Her words echoed a similar observation made by
W.E.B. Du Bois in 1913, “The fight of the Japanese for equal rights is similar
to the fight the Negroes are making for their rights.” Du Bois added, “Educated
people of all races recognize that the color line is artificial.”
Image: W.E.B. DuBois in Japan, 1937
Du Bois not only saw a shared struggle between people of Japanese ancestry and
African Americans, in his mind, they were “colored” brothers. After his trip to
Asia in 1937, Du Bois said that he viewed Japan as “a country of colored people
run by colored people for colored people.” He added that none of the Japanese
people whom he spoke with classified themselves as “white,” but instead felt a
brotherhood with “Chinese, Indians and Negroes."
Jim Crow South and Japanese Americans
Some Nikkei (Japanese Americans) considered themselves “colored” too, especially when society forced them to self-identify in the segregated south.
Kenso “Howard” Zenimura, Nisei
(second-generation Japanese American) baseball pioneer, tells an interesting
story about an experience he had when he first encountered Jim Crow laws when he reported to Fort Monroe, Virginia, for military training in 1947.
Image: Kenso Zenimura, Gila River, AZ, 1944Zenimura boarded a bus where signs indicated that the front seats were reserved
for white patrons only. He took a seat in the back. The bus rolled a few feet,
the driver glanced in the rearview mirror then slammed on the breaks. He put
the bus in park, walked halfway down the aisle, pointed at Zenimura, and
barked, “You! Move to the front of the bus, now!”
Image: Kenso Zenimura, Hiroshima Carp, 1953In the early 1950s, Japanese American shortstop Carlton Hanta
experienced a similar situation. Hanta moved from Hawaii to the mainland to
attend college and play baseball for the University of Houston. When he arrived
in Texas and attempted to use a public restroom for the first time, he was
perplexed by the signs “white” and “colored” and had to think which one applied
to him. He chose “colored”.
Image: Carlton Hanta, University of Houston, 1954
Incidentally, a few years later when he played for the
Beaumont Exporters, a Chicago Cubs affiliate in the Texas League, Hanta
developed a special bond with teammate James Buster “Buzz” Clarkson. Buzz was a
veteran Negro League player who was still struggling to find a permanent spot
on a big-league roster after a “cup of coffee” in 1952. With sadness in his
voice, Hanta recalls the indignities Clarkson faced as the only teammate
refused service at restaurants and hotels when on the road.
Image: Buster Clarkson, Cangrejeros de Santurce, Puerto Rico, 1953-54
Unlike Clarkson, Hanta says that it was not racial discrimination that kept him from making it to the big leagues, but instead his minor league .931 career fielding average. However, other players of Japanese ancestry did indeed feel that racial discrimination was a barrier at the time.
Satoshi “Fibber” Hirayama was a star running back and
outfielder from Exeter, CA, who in 1952 signed with the Stockton Ports, an
affiliate of the St. Louis Browns (now the Baltimore Orioles). After hitting a
respectable .262 for the season (fourth-best on the team), he passed on an
opportunity to advance through the farm system and instead chose to play in
Japan with the Hiroshima Carp.
“Everybody on the team was nice,” said Hirayama. “They made me feel
welcomed and I never received any ill-treatment from fans either.” Despite no
signs of overt racism in Stockton, there was a general feeling of mistrust,
potential hardship, and struggle within the organization. Hirayama believed
that any attempt to go through the minors to the big leagues would be met with
resistance. “I felt that the big leagues were closed off to us (Japanese
Americans) in those days. That was part of the reason why I went to
Japan to play," said Hirayama. “In a way, we faced the same thing that
black players went through,” he said. Hirayama’s observation of a color line
echoed a similar sentiment expressed roughly a half-century earlier.
Image: Fibber Hirayama, Hiroshima Carp, 1955
Baseball's Other Color Line
In February 1905, a 23-year old Japanese outfielder named
Sugimoto participated in a tryout for the New York Giants during spring training
in Hot Springs, Arkansas. At first, manager John McGraw did not think the Japanese ballplayer had a
chance to make the team, but by the end of the month "Mugsy" was convinced
that Sugimoto “had all the goods.”
Towards the end of spring training concerns about a color line being drawn against the Japanese player surfaced in
the press. As the debate escalated, Sugimoto took matters into his own
hands and declared that he did “not like the drawing of the color line in his
case” and said that he would continue to play semi-pro ball if “his engagement
by the Giants will be resented by the players of other clubs.” (At this time, historians have yet to find Sugimoto's true identity.)
The response to
Sugimoto in major league baseball was not an isolated incident. Around that same time, the anti-Japanese sentiment
was escalating on the West Coast, fueled by a campaign headed by the editors of
the San Francisco Chronicle.
In 1914, John McGraw said, “Mark my prediction. Some star
ball players will come out of Japan within the next ten years.” He was wrong.
Anti-Japanese sentiment in the U.S. was on the rise throughout the 1910s.
In 1917, twelve years after Sugimoto attempted to cross the Japanese color line,
Hawaiian Andy Yamashiro became the first player of Japanese ancestry to
play professional baseball when he signed with the Gettysburg Ponies in the
Class D Blue Ridge League. However, Yamashiro was no pioneer in the movement
for Japanese acceptance. Instead, he chose to play under the Chinese name Andy
Yim. Just as some African Americans attempted to sneak across the color line
claiming to be Native American, Yamashiro denied his true racial identity.
Image: Buck Lai and Andy Yamashiro (Andy Yim), 1918
By 1922, anti-Japanese sentiment in the U.S. led to a
Supreme Court ruling that supported W.E.B. Du Bois’ claim that Japanese people
are “colored.” In the case of Ozawa vs. U.S., the Supreme Court ruled that
people of Japanese ancestry were not “white”. Two years later, the Johnson-Reed
Act ended all immigration from Japan and banned Issei (first generation from
Japan) from becoming U.S. citizens.
Baseball Brothers
When one door closes another door of opportunity opens. This
was the case for Japanese American baseball players who were systematically
excluded from white baseball in the 1920s.
One person in particular, Kenichi Zenimura, the man recognized by
historians as the Father of Japanese American Baseball, found a special kinship
with his African American baseball peers.
Zenimura was the team captain and
manager of the Fresno Athletic Club (F.A.C.), one of the top Japanese American
baseball teams on the West Coast. He was also a fierce competitor who hated to
lose and believed that the only way to improve was to compete against the best
talent possible.
That's why between the years 1920 to 1943, Zenimura arranged a
dozen games against west coast-based Negro League teams. Zeni’s teams won eight
of 11 games (a .727 winning percentage) versus Negro Leagues competition.
Perhaps more important than the outcome of the game were the relationships of
mutual respect that developed on and off the field between the Japanese American
and African American players.
Image: Oakland Pierce Giants, circa 1923In the summer of 1923, Zenimura’s ballclub scheduled a game against
the Oakland Pierce Giants. The two clubs first played in 1920 over the course
of three years their relationship evolved to one of both respectful competition
and camaraderie. The night before their game on July 2, 1923, Zenimura invited manager
Chet Bost and his ball club to a social and dance at the Columbus Hall in
Fresno. Pitcher John Nakagawa defeated Harold “Yellowhorse” Morris, 11-7. A
year later, Morris, joined the Kansas City Monarchs and helped the team capture
the Negro National League pennant and win the first black baseball World Series
in 1924.
Image: John Nakagawa and Harold “Yellowhorse” Morris, 1923A Tour is Born
In September 1925 the F.A.C. traveled to Los Angeles to play
the all-black Los Angeles White Sox. Three thousand fans witnessed Zenimura’s diminutive ball
club shock manager Lon Goodwin’s White Sox by the score of 5 to 4. In 1926
Zenimura and Goodwin scheduled a rematch to take place in Fresno, two games to
be played on the Fourth of July weekend. The Fresno All-Stars defeated the Los
Angeles White Sox, 9 to 4. The next day the Fresno All-Stars humbled the L.A.
team again by a score of 4 to 3.
Based on the social precedent set by the 1923 weekend visit
of the Oakland Pierce Giants, historians believe that this Fourth of July
holiday visit to Fresno by the L.A. White Sox marks the time period when Zenimura and Goodwin
discussed a potential tour to Japan. In January 1927, Zenimura publicly
announced his plans for a second tour of the Orient. A month later, Goodwin
publicly announced his plans for a tour to the Orient as well.
In the spring of 1927 Lon Goodwin and his ball club, now
called the Philadelphia Royal Giants, were armed with ringers like Hall of
Fame-caliber players Biz Mackey, Andy Cooper, and Rap Dixon. While in Japan,
over ten thousand baseball fans watched Lon Goodwin’s team get their revenge by
defeating Zenimura’s club 9-1. Like previous matchups, the score of the game
was of secondary importance.
According to Japanese baseball historian Kazuo Sayama, the
tour of the Philadelphia Royal Giants in 1927 played a key role in the
formation of pro ball in Japan. In his book “Gentle, Black Giants” Sayama
explains that unlike tours in the 1930s with the big-name Major Leaguers, the
Negro League players didn't mock their opponents. Instead, the black
ballplayers treated their hosts with respect. Furthermore, players such as
Mackey and Frank Duncan were patient and tried to teach their hosts about the American style of baseball. Another example of mutual respect occurred when a
young Japanese pitcher hit Mackey with an inside fastball. The pitcher bowed to
Mackey as a form of apology and before taking his base, Mackey bowed back.
Manager Lon Goodwin would return to Japan and other parts of
Asia for a total of three tours, the last one occurring in the winter of
1933-34. Zenimura and his Nisei peers would return to Japan several more times
as well for goodwill baseball tours. In total, between 1905 and 1940, Japanese
American and African American teams completed 32 tours to Japan, roughly 33
percent of all tours between the two countries during this time period.
It is widely accepted that African Americans helped
integrate the game of baseball that we know today. Yet few appreciate the role
that Japanese Americans played in “internationalizing” the game. Japanese
Americans are directly responsible for 28 percent of all US-Japan tours before
WWII (and influenced many more). Hopefully, someday officials with Major League
Baseball and the Hall of Fame will give Japanese Americans their proper
recognition for helping to build the baseball bridge between the U.S. and Asia.
John Nakagawa: A Great "Colored" Player
March 1928 marked the final time for Zenimura’s Japanese
ball club to battle against the Philadelphia Royal Giants. Competing as the
Philadelphia Hilldale Colored Giants, the team was comprised of players from
the California Winter League who were heading north to join the Hilldale
Daisies for the regular Negro League season. The lineup for the Royal Giants
included stars like Frank Warfield, Rap Dixon, Jess “Mountain” Hubbard, Tank
Carr, Bill Holland, Willis "Pud" Flournoy, and Tex Burnett. Behind pitching leader
Holland and batting leader Hubbard, the Royal Giants defeated Fresno 12-7.
Image: Philadelphia Hilldale Royal Giants vs. Fresno Athletic Club,
The Fresno Morning Republican, Mar 19, 1928, pg. 7
The
bright spot for the Fresno Japanese ball club was right fielder John Nakagawa,
who recorded a perfect 5-for-5 day at the plate — two triples and three singles — against Holland and Flournoy. Combined with his pitching performance over
Yellowhorse Morris in 1923, Nakagawa emerges as one of the top Japanese
American players of the 1920s and a precursor to two-way Japanese star, Shohei Ohtani.
Partial statistics from his career reveal that
Nakagawa was a lifetime .377 hitter who performed exceptionally well against
Negro Leagues and Pacific Coast Leagues competition, a solid .350 batting
average. Had he been born in a different time and place, Nakagawa might have been the first player of Japanese ancestry to play in the Major Leagues, as he undoubtedly proved that he could compete head-to-head with the top Negro Leaguers.
Image: NBRP Tribute Baseball Card, John NakagawaConclusion
The game of baseball today has never been more international
or multicultural, and it only promises to become even more so in the future. If
this is the case, then history will prove that the goodwill tours conducted by the “Baseball Brothers” of Japanese Americans and African Americans during the
1920s and 1930s are significant events in the history of baseball.
More than 80 years before Major League Baseball established
business agreements in the east, these pioneering ballplayers blazed trails
through Japan, Korea, China, and the Philippines, serving as proud U.S. baseball ambassadors,
despite the fact that they were still considered second-class citizens in their
own country.
Men like Kenichi Zenimura, Lon Goodwin, John Nakagawa, and
Chet Bost were marginalized by American society during their
lifetimes. It would be a shame if historians and officials in Major League
Baseball and the Hall of Fame continue to do the same with their legacies.
Today, it is widely agreed upon that "The Negro Leagues are Major Leagues." Negro League
players were just as good as, and on many occasions better than, their white
counterparts.
With a respectable record
against some of the top black talent on the West Coast and ballplayers from the Major Negro Leagues competing in the California Winter League, perhaps similar praise can now be directed towards Zenimura and his Japanese American teammates — proud men who competed with
both great heart and talent in America’s other colored leagues.
***
Kenichi Zenimura's Teams vs. Negro League Competition
Between 1920 and 1943, Zenimura's teams faced Negro Leagues
competition more than a dozen times, with results of 11 games available. Of those 11 documented games, the Japanese Americans won eight times (a
.727 winning percentage).
All games in Fresno, CA, unless otherwise noted.
|
Date
|
Opponent
|
Captain/Mgr.
|
Score
|
Winner
|
|
10/18/1920
|
Fresno Colored
Giants
|
Unknown
|
8-2
|
Colored Giants
|
|
7/2/1923
|
Oakland Pierce
Giants
|
Chet Bost
|
11-7
|
Fresno Athletic Club
|
|
9/6/1925
|
Los
Angeles White Sox (Los Angeles)
|
Lon Goodwin
|
5-4
|
Fresno Athletic Club
|
|
7/4/1926
|
Los Angeles White
Sox (Game 1)
|
Lon Goodwin
|
9-4
|
Fresno
All-Stars
|
|
7/5/1926
|
Los Angeles White
Sox (Game 2)
|
Lon Goodwin
|
4-3
|
Fresno
All-Stars
|
|
4/15/1927
|
Philadelphia Royal
Giants (Tokyo)
|
Lon Goodwin
|
9-1
|
Royal Giants
|
|
4/27/1928
|
Philadelphia Hilldale
Royal Giants
|
Frank Warfield
|
12-7
|
Royal Giants
|
|
5/27/1934
|
Fresno Colored
Athletic Club
|
Gene Hinds
|
14-1
|
F.A.C.
|
|
7/17/1934
|
Detroit Colored
Giants
|
Albert Moorehead
|
17-16
|
Fresno
All-Stars
|
|
5/5/1935
|
Fresno Colored
Cubs
|
Gene Hinds
|
20-2
|
F.A.C.
|
|
10/23/1943
|
Arizona Compress (Rivers,
AZ)
|
James Searcy
|
11-2
|
Butte
All-Stars (Nikkei
|
***
Image: Masanori Murakami is greeted by Nisei baseball legends (left to right)
Ken Zenimura, Sam Yamasaki, John Nakagawa and Fred Yoshikawa
The Fresno Bee The Republican, 03 May 1964, pg. 59.
